Finding Perfect (Fool's Gold, Book 3) by Susan Mallery

By Susan Mallery

Whilst Pia O'Brian's ally dies, Pia expects to inherit her adored cat. as an alternative, the girl leaves Pia 3 frozen embryos. With a disastrous song list within the romance division and the parenting abilities of a hamster, Pia doesn't imagine she's intended for motherhood. yet decided to do the best factor, Pia comes to a decision to turn into a unmarried mom. in basic terms to satisfy a stunning, attractive hunk the exact same day.

A former foster-care child now wealthy past his wildest desires, Raoul Moreno runs a camp for needy youngsters in Fool's Gold, California. After his final courting, Raoul inspiration he used to be performed with girls and dedication. nonetheless, he can't get candy, horny Pia out of his mind--and proposes a loopy plan. yet can such an unconventional starting rather lead to the right finishing?

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Extra info for Finding Perfect (Fool's Gold, Book 3)

Sample text

Un bravo scrittore sa usare bene la tecnica narrativa, le metonimie e ogni pretestualità funzionale, ma sa anche «nasconderli». Il suo più grande sforzo è proprio quello di sviare il lettore, di confondergli le idee, di creare falsi percorsi, di sbiadire lo schema: in due parole di mascherare la struttura narrativa. Un intero episodio può svolgersi ed esaurirsi là, magari scritto semplicemente per delineare un carattere. In verità esso può nascondere una metonimia, un tirante che più tardi, inaspettatamente, scatterà.

Con questo non voglio affatto dire che lo scrittore deve essere agnostico, cieco e sordo. Tutt'altro, deve soltanto non lasciarsi accecare e assordare dai problemi sociali, andare più alla radice dei fenomeni. Kafka è riuscito come nessun altro a raccontarci l'alienazione dell'uomo contemporaneo senza mai usare questo termine. Immaginare fuori dal linguaggio. Non sempre l'idea prefigura una storia o una situazione immediatamente propizia a una drammaturgia. Qualche volta è solo un sapore, un accostamento di colori, un sentimento lancinante, un clima vago, oppure l'abbozzo di uno stile.

Un piccolo episodio che sembra esaurirsi nel momento ma che in seguito darà origine a un risvolto della narrazione è appunto una metonimia. E opportuno ricorrere ad alcuni esempi: se in una storia, a un certo punto, compare una boccia di veleno, possiamo star sicuri che più avanti risalterà fuori; se un bambino vede di nascosto il padre che infila una rivoltella in un cassetto, senza ombra di dubbio arriverà il mo- LA COSTRUZIONE DEL RACCONTO 44 mento in cui il bambino prenderà in mano quella rivoltella.

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